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I’m so inspired by my friend. She grows her hair long, gets a fantastic short cut, and donates the hair to a charity that makes wigs for people who need them. It made me think about how sheep have no idea we use their wool for warmth and fashion. I suppose they give of themselves without a second thought, and it’s a beutiful thing to be grateful for.
I love this painting by Cézanne. Although the owner of the château remains unknown and Maria does not appear in the French land records from that era, the small outbuilding on the lower right side of the painting is said to have been where Cézanne stored his art supplies. At the time, the building was abandoned, which adds a unique historical context to the scene. This detail creates a more intimate connection between Cézanne and the work, suggesting that the setting was close to his home and creative space. It is also noted that Cézanne painted the road multiple times, capturing it from various angles and in different compositions, further highlighting its significance in his artistic vision.
Wheeler Farm, located close to home, features a this modern hay barn on the historic working farm open to the public. The barn is situated on the north side of the property, just behind the Corn Maze when viewed eastward from the 900 East Road. Watching the ever changing towering Wasatch Mountains as the light changed during the day and the majestic animals (cows) nearby was truly an adventure. This site offers many more opportunities for painting in the future.
Willow Pond was a new discovery for me, quite a surprise since I have lived in the valley forever. It’s a public fishing hole located around 5400 South and 5th West. On a very warm day, with beautiful storms rolling over the mountains, I captured a bright light just at the top as the storm moved in. I love it. This was one of the fastest paintings I’ve done, done quickly to seek refuge from the oncoming rain.
The way light pierced the decaying siding of a barn I encountered near Logan resonated deeply, evoking the image of a stained glass window with three crosses overlaid in gold. I'm pleased to share that this piece was honored with winning the Provost Award at the 2025 Salt Lake Community College Spring Student Art Competition.
In my first art class at Salt Lake Community College I was assigned to copy old masters’ art pieces, this one is based on Home Fields 1885 by John Singer Sargent.
This photo, taken on my walk from the Sacred Grove to the back door of Joseph Smith's boyhood home, inspired both a watercolor and, later, an oil painting due to my affection for the scene.
I adore this back road entrance to Spring City, a whispered invitation each year. Here, the very air hums with creativity during the Plein Air Art Competition, where brushes dance with light. Homes open their doors in a graceful artist tour, revealing sanctuaries of inspiration. It is, for me, a cherished haven—a place to simply rest and absorb the profound beauty of the landscape.
My inquiry into the art of Louis Heinzman, our esteemed local master, unexpectedly led me back to the desert's quiet grandeur. There, under the Arizona sky, visiting my sister, I first truly witnessed the elegant, understated grace of the ocotillo.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
Nestled in the heart of Midway, Utah, a place I return to often, stands a singular pine, its silhouette etched against the grandeur of towering peaks. It's a vision that unfailingly steals my breath, a profound beauty I'd be honored to share with you.
My studies often lead me to Midway, Utah, and each time, I'm captivated by the breathtaking view of Mount Timpanogos from the Heber Valley. Even with Midway's rapid development, that majestic mountain scene remains an unchanging, awe-inspiring sight.
In Spring 2025, I stumbled upon an unexpected sanctuary, the Sego Lily Gardens, a mere mile from my doorstep. It was there, amidst the quiet embrace of cultivated earth, that I truly fell under the spell of native plants, their inherent beauty a revelation.
Here's a shot I captured from my car window on the way to Moab in 2025 – just look at that stunning red beauty. Magic Carpet Ride playing in the background can you hear it?
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
Entrusted by my niece, I embarked on a vibrant journey to echo Papa's Poppies, a cherished original that once shown brightly in our family home. Its singular orange flame, a beacon amidst our decor, now inspires this very study—a homage to that beloved painting and the memories it holds.
In my first art class at Salt Lake Community College I was assigned to copy old masters’ art pieces, this one is based on Vase with Gladioli by Vincent Van Gogh.
I recently transitioned from watercolor to oil, a delightful shift that's truly opened up new possibilities. To explore this new medium and cultivate my unique voice, I've been immersed in painting a series of flowers, allowing me to really lean into a style I'm calling whimsical impressionism. It's been an exciting journey discovering how oil paints can capture that playful, yet evocative, essence.
"What a beautiful morning—a breath of fresh air and peace. I was thinking about how we can't truly appreciate the calm without first experiencing the storm. This painting captures that feeling, and I hope it takes you to a place you've been before, a place we can both return to."